Drone-Howl is a short piece by underthepulse (Maca and Laura) designed for any type of space. It explores the tension between body and sound, a terrain where vibration stops being merely audible and becomes felt in bones, organs, and skin. The movement does not arise with a narrative intention, but through the friction with invisible frequencies: the deep hum that resonates like a trembling floor, and the sharp howl that cuts through like a blade. The dance becomes resonance. Every gesture is an echo, an interference. The bodies vibrate, tremble, fall, deform under the pressure of sound, allowing noise to shape and expel them toward the unknown. Maca and Laura negotiate sensations and remnants of disorientation and overflow in the body, through the body, embodying that friction that multiplies in the audible and the physical. Between the continuous and the explosive, between the charged stillness and the inevitable explosion, an embodied space of listening opens. In DRØNE-HOWL, the space is not a place of representation, but a sound-body landscape where the audible becomes visible. The piece invites inhabiting the discomfort of noise, its transformative power, and discovering in it a poetics of trembling: a muffled cry that pulses within, a frequency that cuts through us and reminds us that to dance is, essentially, to vibrate.
Language:
Spanish
Subtitles:
None
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